Roederer Cristal 1990

Zusätzliche Information

Vinee Beschreibung und Bewertung

97/100 PP

'Blending 62% Pinot Noir with 38% Chardonnay, fermented without malolactic and disgorged in 1996 after five years sur lie, the 1990 Cristal is still a superb and amazing prestige Champagne that is far from being over-matured or faded. The wine is as rich as it is pure and finessed, revealing a mineral tension and youthful freshness that is nothing short of stunning given the low-acidity vintage. This proves impressively that substance and terroir matter far more than just acidity. Tasted in May 2018, the 1990 is still fabulous. Even the 1979 Cristal was still excitingly fresh but unfortunately corked.'
(Stephan Reinhardt, robertparker.com)

99/100 Decanter

'Unusually, the 1990 vintage produced grapes with high sugars and high acidity, which has led to this legendary Cristal which is so ripe, rich, limpid, and dazzlingly delicious on the nose and palate. Nearly thirty years of bottle age have mellowed and condensed the flavour spectrum to a beautiful melange of citrus, candied fruit, almond, pear, truffle and gingerbread. There’s also a lovely creamy, soft, silky texture which belies the length, depth and reach of this classically elegant and vibrant champagne. Beautifully mature and ready now, but no hurry to drink up because of the vein of life-giving acidity which gently cradles it. Pure nectar.'
(decanter.com)

97/100 vinous

'The 1990 Cristal is remarkable. Polished, nuanced and light on its feet, the 1990 is all class. Citrus, orchard fruit and floral notes are wonderfully lifted throughout. A slight reductive note adds character on the finely knit finish. I can’t think of a better way to start this tasting. Simply put, the 1990 is a total rock star. Moreover, it is much more delicate than most wines from this ripe vintage. Amazingly, the 1990 tastes like it is still not ready! “Nineteen ninety was my second vintage here,” says Chef de Caves Jean-Baptiste Lécaillon. “It was ideal. The fruit was just perfect. We blocked the malolactic fermentation completely and only fermented 6-7% of our lots in oak, as opposed to the more typical 20%, in order to preserve as much freshness as possible. The wine was made by my predecessor, Michel Pansu, but I was learning. This was the first year I started working with oxygen by reducing sulfites in vinification to pre-oxidize the Chardonnay musts, as I do know, which allows me to get rid of all the unstable, oxidative compounds. With Pinot, on the other hand, you need a little bit of sulfur at crush or you lose the brilliant fruit.'
(Antonio Galloni, vinous.com)